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Authenticity

T Model Ford in Clarksdale MI

There are a lot of elements that go into art and one of them happens to be authenticity. Being true to who you are. I ran into authenticity while at the crossroads of the blues in Clarksdale MI recently. Heading over the tracks to check out a juke joint I was stopped by a man sitting on a bench on the side of the road.

“You know me!” he exerted.

I stared back and said, “Sorry but I don’t think so.”

“You know me!” he again emphatically stated. Leaving no doubt that I did.

Deciding to play along I said, “Oh yeah right, remind me of your name?”

“T-Model Ford!”

That was my introduction to 92 year old T-Model Ford who was slated to play the juke joint called Reds on the other side of the tracks in Clarksdale Mississippi.

 

T Model Ford in Clarksdale MI

T Model Ford in Clarksdale MI

When I returned a couple hours later it was with my wife and mother, both of which were traveling along on a southern road trip which included Gettysburg, Nashville, Graceland and now Clarksdale as we headed south on the Blues Highway.

Reds is basically a shack. Ramshackle and pasted together with sheet metal and glue. I would have never thought to enter but for the recommendation of a few locals. Entering was transporting. Red glowing and lurid stringed lights were the only illumination. Cigarettes, large bottles of beer and a local crowd enjoyed the scene. With a smattering of out-of-towners coming in, wide eyed and gaping with smiles of gratitude. The gratitude was due to the “authenticity” of the joint – juke joint. And the realness of the player behind the guitar – T-Model Ford.

It was real. And the playing was real too. It wasn’t the best playing, but one became transfixed, mesmerized by the scene, the smells and the sounds. Looking up T-Model Ford on the internet one finds that he has about 26 children from various women, was sentenced to prison for murder, and when he was asked how many times he has been to jail he responded, “Every Saturday night there for a while.” Hailing from Greenville I realized I was looking at blues dead straight in the eyes.

So back to authenticity. You are who you are. If you’re a bluesman, you’re a bluesman. There’s something special about embracing that which makes you, you.

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finding your groove

guitar grooves

While photographing Ksenia’s guitar I came to the realization as to why digital cameras and digital photography have a bad name. It’s longevity. Ksenia’s guitar is worn but alive. It’s become an integral component to her music and style. It’s reminiscent of a Willie Nelson guitar in that her rapid strumming has left a physical “groove”, embedded in its wood. When she plays it, it is an extension of her and her music. It sways, vibrates, lives and continues to do so after years of use.

guitar scratch

Contrast this with a digital camera, which like a computer, falls out of fashion and use every three years. It has a limit of actuations (or shutter clicks). The rapid pace of technology makes the camera, not antique, but obsolete. Of course there are those lenses and this is the closest it comes. Your lens does have longevity, it does contribute to your style. A good lens of sharp focus and narrow depth can produce a breathtaking image. But still…

guitar geometry

Older film cameras were more like the guitar. Those machines had character. They played a more intimate role in the outcome and the identity of the photographer. Instead of identifying with the rapid pace of advancement, one identified with art and the process. If I was to look back I’d say the closest to this for me, would be my Mamiya RB67 (note: RB stood for “revolving back” and one would simply revolve the back to take either a portrait or landscape format picture – great for use on your tripod!). I would lug this box around with tripod and shoot the streets, especially Harvard Square. I was forced to confront my subject and the subject back at me. The image too was alive, fixated on paper, with character.

lowden guitar

In the end it might be time to revert. To take the slow approach again. To get off the rapid express train of technology and to drag out that hulking medium format camera and tripod. To become one with your instrument of art.

But then again, these pictures were taken with a digital camera.

Technical information:

Lowden Guitar

Canon 24 mm f/1.4 lens

Canon 20D

Mamiya RB67

 

art discussion
  • This is the first in our soon to be regular recorded discussions on art and the art life.  The below was recorded at Addis Restaurant in Cambridge Massachusetts over wine...

    Music is a Language

    This is the first in our soon to be regular recorded discussions on art and the art life.  The below was recorded at Addis Restaurant in Cambridge Massachusetts over wine...

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